• Buy the IsoAcoustics ISO-155-PR, Pair of Isolation Stands For Medium Speakers and Studio Monitors at Full Compass Systems. 0% Financing and Free.
• ISO-L8R155 Isolation Stands for Speakers and Studio Monitors. The ISO-L8R155 has been. “I just received a pair of your L8R155 monitor stands.

• Isoacoustics Iso 155 Stands Pair 2

IsoAcoustics ISO-155 - ISO Series Speaker Stands - Pair (Black) CHECK WHAT SIZE STANDS ARE RIGHT FOR YOU BY CLICKING HERE OR HERE (Metric) THIS MODEL IS SOLD IN PAIRS (2 STANDS) 6.1” x 7.5” Designed for medium speakers and studio monitors; 14 Variations of height and tilt to optimize speaker placement and performances.

The ISO-L8R155 has been discontinued and replaced by the Fine-tune your sound the way it’s meant to be heardThe ISO-L8R155 isolation stands are designed for medium size speakers and studio monitors. A practical and effective solution for desktop, bookshelf and floor standing speakers. The IsoAcoustics patented isolation system provides superior isolation and decoupling from the supporting surface. The stands are a complete kit to optimize your speaker placement and performance by assembling them in the short or tall configuration and setting the desired upward or downward tilt.The ISO-L8R155 stands have an overall size of 6.1”x7.5” (155x190mm) and can be configured to an overall height of 3.7” or 8.75” (9.5mm or 22.5mm) with inserts that provide up to 6.5 degrees of tilt upwards or downward. Altogether, up to 14 variations of height and tilt adjustment are available to optimize speaker placement. “I just received a pair of your L8R155 monitor stands.

Isoacoustics Iso 155 Stands Pair 2

I had them assembled in a matter of minutes, mounted my monitors (Neumann KH120) and turned on a cut of music I often use as a reference (I Can See Clearly Now by Holly Cole).I’m left stunned. There simply is no comparison between the IsoAcoustics stands and what I’d previously been using, at double the price. No A/B comparison needed here, nor any ornate double-blind tests with multiple pairs of ‘golden ears’ to argue ad infinitum over sonic subtleties. The difference in quality was instantly perceptible and jaw dropping. The depth and width of the sound stage, detail, air, tonality, timber, the lotall palpably improved. Actually, I find the transformation quite astonishing.While I hardly consider myself ‘golden eared,’ I will admit to having been an avid audiophile for some (45) years.

That is to say, I deem my sense of hearing to be reasonably well-honed and discriminating. My home audio system (stereo, not multichannel A/V) is a $75k setup.

The Neumanns are what I use in my home recording studio (I do narration and VO).I can honestly say my new IsoAcoustics stands now count amongst the few —very few —components I deem indispensable.Congratulations to the IsoAcoustics team for an absolutely superlative product —and at such an affordable price. Thank you.”Sincerely,Nila SagadevanLaguna Hills, CADynaudio BM mkIII Series studio monitors with IsoAcoustics included in the box“The best solution available”Awards.

As a general rule, we choose our studio monitors for the most accurate translation of recorded audio that we can afford. For that reason, especially in our modern DAW-based production world, studio monitors are increasingly our most costly investment.So after buying your ideal studio monitoring system, how do you best utilize it? First and foremost, careful placement is key; this means your monitors are positioned at an ideal height, angle and spread (in relation to your ears and distance from the sound source) and are isolated from resonant surfaces, such as desktops, meter bridges and even most speaker stands. Sonically, the R6s seemed to perform truer to the source material while atop the ISO-L8Rs; this was especially evident when directly compared to speaker-on-desk placement.

Mid-bass to the lowest frequencies tightened up significantly, and random/various sympathetic vibrations ceased; in a word, my monitors became more clearly “separate” from their physical surroundings.I can’t overstate how monitoring with a product such as the ISO-L8R can change end results of productions; built step by step, the final mix with such increased insight becomes something clearly different than without it. For example, I found myself “guessing” less regarding bass content of individual tracks, so that, after track compression and EQ, mixes became something a lot closer to the “ideal” ones I hear in my head.SummaryAs in every product purchase, the question essentially comes down to, “is it worth it?” The ISO-L8R 155 costs $50 per side, and I believe it will add far more value to your speaker performance than that; your mileage may increase with even higher quality monitors. If your work surface puts your tweeters at the wrong height and/or angle, going IsoAcoustics is likely the most precise, sturdy and affordable solution in studio monitor platforms today.Price: $99 per pairContact: IsoAcoustics.